In classical art Actaeon is normally shown as fully human, even as his hounds are killing him (sometimes he has small horns), but in Renaissance art he is often given a deer's head with antlers even in the scene with Diana, and by the time he is killed he has at the least this head, and has often completely transformed into the shape of a deer. Pentheus, barely alive, appeals to his aunt to save him; “Autonoe! Pentheus continuous refusal to accept Dionysus leads to his downfall. Why do Actaeon and Pentheus meet a similar end? Are you an author? hence drag him, hurl him out, with dreadful torture, into Stygian night.” Quickly they seized and dragged Acoetes forth, and cast him in a dungeon triple-strong. 3.511–18 cognita res meritam vati per Achaidas urbes attulerat famam, nomenque erat auguris ingens; spernit Echionides tamen hunc ex omnibus unus contemptor superum Pentheus praesagaque ridet verba senis tenebrasque et cladem lucis ademptae 515 obicit. All three of the first characters go through serious transformations that are very significant for my essay. I will be analyzing the stories of Callisto, Actaeon, and Pentheus in regards to Dionysus and Artemis. The two clearest examples, which more or less frame the Diana and Actaeon episode, are Cadmus and Tiresias. Juno punishes Semele for her love affair with Jupiter. His reconstruction opposes a too-pat consensus that has an archaic Actaeon aspiring to Semele, a classical Actaeon boasting of his hunting prowess and a Hellenistic Actaeon glimpsing Artemis' bath. Pentheus wants to establish an earthly, rational authority as the single legal sovereign, so much so that he adamantly refuses to allow even the worship of Dionysus. She also punishes Tiresias with blindness for agreeing with Jupiter. He talks about Narcissus and Pentheus, all the main themes in these different families centred in Cadmus and around Thebes. In the standard version of the Epic of Gilgamesh (tablet vi) there is a parallel, in the series of examples Gilgamesh gives Ishtar of her mistreatment of her serial lovers: "You loved the herdsman, shepherd and chief shepherd Who was always heaping up the glowing ashes for you, And cooked ewe-lambs for you every day. French based collective LFKs and his film/theatre director, writer and visual artist Jean Michel Bruyere produced a series of 600 shorts and "medium" films, an interactive 360° installation, Actaeon and his dogs make an appearance in. The chorus and Cadmus agree; Cadmus pleads the glory of a god in the family, warning Pentheus not to end up like another scorner of the gods, Actaeon (327-343). goddess of the rainbow, daughter of Thaumas, messenger of Juno. , The myth is seen by Jungian psychologist Wolfgang Giegerich as a symbol of spiritual transformation and/or enlightenment. Lacy, "Aktaion and a Lost 'Bath of Artemis'", In this list, Hyginus fails to correctly differentiate between masculine and feminine names. Tiresias doesn't give Juno the answer she wants to hear. moveant animos Actaeonis umbrae!” But Pentheus answered him: “A parlous tale, and we have listened to the dreary end, hoping our anger might consume its rage;— away with him! Once seen, Artemis got revenge on Actaeon: she forbade him speech — if he tried to speak, he would be changed into a stag — for the unlucky profanation of her virginity's mystery. Names of dogs were verified to correspond to the list given in Ovid's text where the names were already transliterated. ? Dionysus was the Olympian god of wine, vegetation, pleasure, festivity, madness and frenzy. Madness, or masochism. Actaeon (; Ancient Greek: Ἀκταίων), in Greek mythology, son of the priestly herdsman Aristaeus and Autonoe in Boeotia, was a famous Theban hero.  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